Skripsi merupakan suatu karya tulis ilmiah yang disusun oleh mahasiswa dan dibimbing oleh dosen pembimbing sebagai syarat mencapai gelar akademik ‘sarjana’
Dalam rangka memudahkan mahasiswa memperoleh informasi referensi yang berkaitan dengan penulisan skripsi yang yang telah dilaksanakan mahasiswa sebelumnya, katalog skripsi ini membantu mahasiswa yang akan maupun yang sedang mengerjakan skripsi mendapatkan khasanah referensi skripsi yang di butuhkan
DAFTAR JUDUL SKRIPSI
PROGRAM STUDI S1 SASTRA INGGRIS
TAHUN 2018
NO | NO. SKR | NIM | NAMA | JUDUL | PEMBIMBING | TAHUN |
1 | SKR.III.05.01.0623 | 11.03.52.0021 | EKA YULIANTI | THE CODES SWITCHED BY THE HOST AND THE GUESTS IN “ADA ADA AJA” TALK SHOW BROADCAST ON GLOBAL TV AGUST. 25TH 2014 | Dr.SUGENG PURWANTO,M.A | 2018 |
2 | SKR.III.05.01.0625 | 13.03.52.0003 | EVA YUDIYANTI | THE GENERIC STRUCTURE OF CONVERSATION IN CHECK-IN AND CHECK-OUT AT NOVOTEL SEMARANG | Dr.SUGENG PURWANTO,M.A | 2018 |
3 | SKR.III.05.01.0622 | 13.03.52.0013 | UMAYAH RIFA’AH | THE DIALECT RECOGNIZED IN SELECTED NEWS OF THE JAKARTA POST ISSUED IN APRIL 2017 | Drs. LILIEK SOEPRIATMADJI,M.pd | 2018 |
4 | SKR.III.05.01.0603 | 13.03.52.0022 | MAHARANI MUSTIKA PUTRI | FIGURATIVE EXPRESSION RECOGNIZED IN EMILY DICKINSON’S SELECTED POEMS | YULISTIYANI,S.S,M.HUM | 2018 |
5 | SKR.III.05.01.0615 | 13.03.52.0036 | TATA KAMILA RATRI | THE ANALYSIS OF DERIVATIONAL AND INFLECTIONAL MORPHEMES IN SHORT STORY BY EDGAR ALLAN POE “THE MURDERS IN THE RUE MORGUE” | WIENNY ARDIYATI,Dra,M.pd | 2018 |
6 | SKR.III.05.01.0617 | 13.03.52.0045 | DANNY LEVENIA MARINA | THE OPPRESSION ANASTASIA’S CHARACTER IN EL JAMES MOVIE “FIFTY SHADES OF GREY”; PSYCHOANALYSIS STUDY | Dra.MURTI HERURI,M.HUM | 2018 |
7 | SKR.III.05.01.0606 | 14.03.42.0023 | FELIX SUWANDI | ERRIR ANALYSIS IN USING PREPOSITIONS APPLIED IN ABSTRACT WRITTEN BY FBIB STUDENTS OF UNISBANK OF ACADEMIC YEAR | AGNES WIDYANINGRUM,S.E,S.pd,M.pd | 2018 |
8 | SKR.III.05.01.0611 | 14.03.52.0001 | ARDIN NOVITASARI | A CONFERSATION ANALYSIS OF TURN TAKING MECHANISM IN “THE ELLEN DEGENERES SHOW” HILLARY CLINTON GETS CANDID ABOUT DEBATE DRAMA “PUBLISHED ON OCTOBER 14,2016” | AGNES WIDYANINGRUM,SE,S.pd | 2018 |
9 | SKR.III.05.01.0624 | 14.03.52.0002 | BELLA SHARITA | THREE CHARACTERS IN BILL CONDON’S BEAUTY AND THE BEAST MOVIE; PSYCHOANALYSIS STUDY | Dra.MURTI HERURI,M.HUM | 2018 |
10 | SKR.III.05.01.0608 | 14.03.52.0005 | VICTORIA ANNABELLA | AN ANALYSIS OF REQUEST STRATEGIES IN ONLINE COMMUNICATIONS AMONG STUDENTS AND LECTURERS IN FACULTY OF LANGUAGE AND | Dra. WIENNY ARDRIYATI,M.pd | 2018 |
11 | SKR.III.05.01.0626 | 14.03.52.0008 | RIZKA LIFTIA DEVI | THE ANALYSIS OF PERSONALITY REFLECTED BY THE CHARACTERS IN PETER JACKSON’S THE LORD OF THE RINGS | AGNES WIDYANINGRUM,S.E,S.pd,M.pd | 2018 |
12 | SKR.III.05.01.0605 | 14.03.52.0009 | NADYA DEVA MEISHELA | INSTITUTIONAL RACIMS REFLECTED IN TATE TAYLOR’S MOVIE “THE HELP” | YULISTIYANTI,S.S,M.HUM | 2018 |
13 | SKR.III.05.01.0627 | 14.03.52.0014 | ARLINDA BRISTY HAPSARI | AN ANALYSIS OF SPEECH FUNCTIONS IN CINDERELLA MOVIE | Drs. LILIEK SOEPRIATMADJI,M.pd | 2018 |
14 | SKR.III.05.01.0628 | 14.03.52.0015 | ELISA HANDAYANI | A COMPARISON OF THE SPEECH ACT OF REFUSALS PRODUCED BY INDONESIANS AND ROMANIANS SPEAKING ENGLISH | Drs. LILIEK SOEPRIATMADJI,M.pd | 2018 |
15 | SKR.III.05.01.0619 | 14.03.52.0016 | CLAUDYA PUJI SETYAWATI | AN ANALYSIS OF FIGURATIVE LANGUAGE DERIVED FROM AVRIL LAVIGNES THE BEST DAMN THING ALBUM | AGNES WIDYANINGRUM,SE,S.pd | 2018 |
16 | SKR.III.05.01.0621 | 14.03.52.0017 | PRILIA KURNIA PUTRI | IMPLICATURE ANALYSIS ON SEVEN SLOGANS OF ISOTONIC BEVERAGE PRODUCT THE ONLINE ADVERTISEMENT | AGNES WIDYANINGRUM,SE,S.pd | 2018 |
17 | SKR.III.05.01.0616 | 14.03.52.0019 | KHALIDA MUTIARA RAMADHANI | THE ANALYSIS OF WOMEN’S OPRESSION PORTRAYED IN SARAH GAVRON’S MOVIE :”SUFFRAGETTE”; THE PEMINISM STUDY | Dra.MURTI HERURI,M.HUM | 2018 |
18 | SKR.III.05.01.0612 | 14.03.52.0020 | ANGGA HANANTA | GENDER REPRESENTATION IN EKACHAI UEKRANGTHAM’S BEAUTIFUL BOXER (2003) | YULISTIYANTI,S.S,M.HUM | 2018 |
19 | SKR.III.05.01.0602 | 14.03.52.0024 | KEVIN PUTERA ARDO UTAMA | AN AUTHENTIC HAPPYNESS REALIZED IN GRABIELE MUCCINO’S MOVIE “THE PURSUIT OF HAPPYNESS” : A PSYCHOANALYSIS STUDY | Dra.MURTI HERURI,M.HUM | 2018 |
20 | SKR.III.05.01.0613 | 14.03.52.0025 | REVICA P BAKTIAN | INTERLANGUAGE OF SEMARANG MULTINATIONAL SCHOOL STUDENTS IN SPEAKING ENGLISH | Drs. LILIEK SOEPRIATMADJI,M.pd | 2018 |
21 | SKR.III.05.01.0629 | 14.03.52.0026 | ACHMAD SYAIFUDDIN | AN ANALYSIS OF FIGURATIVE EXPRESSIONS IN POETRY I WANDERED LONELY AS A CLOUD BY WILLIAM WORDSWORTH | AGNES WIDYANINGRUM,S.E,S.pd,M.pd | 2018 |
22 | SKR.III.05.01.0601 | 14.03.52.0027 | YUMIYATI | A COMPARATIVE ANALYSIS OF MAULANA MUHAMMAD ALI’S AND MUHAMMAD MUHSIN KHANS QUALITY TRANSLATION OF SURAH AL-MULK INDO ENGLISH | Drs.LILIEK SOEPRIATMADJI,M.Pd | 2018 |
23 | SKR.III.05.01.0630 | 14.03.52.0032 | ANDI SETIAWAN | AN ANALYSIS OF FIGURATIVE LANGUAGE IN COLDPLAY’S SONG LYRICS | ENDANG YULIANI RAHAYU,S.S,M.pd | 2018 |
24 | SKR.III.05.01.0604 | 14.03.52.0033 | ALIYA RISKA SETYANI | FIGURATIVE EXPRESSIONS FOUND IN ONLINE NIKE’S SHOES | ENDONY YUHANI RAHAYU,S.S,M.Pd | 2018 |
25 | SKR.III.05.01.0631 | 14.03.52.0038 | NURUL MUSTOFA | A SEMIOTIC ANALYSIS OF DAGADU T-SHIRT’S DESIGN | AGNES WIDYANINGRUM,S.E,S.pd,M.pd | 2018 |
26 | SKR.III.05.01.0632 | 14.03.52.0040 | AJI SURYO WIBOWO | IMPLICATURE ANALYSIS OF TEN MOBILE PHONE’S SLOGANS ADVERTISED ONLINE | AGNES WIDYANINGRUM,S.E,S.pd,M.pd | 2018 |
27 | SKR.III.05.01.0633 | 14.03.52.0044 | GUPIT ADIYATI S.P.A | WOMEN’S SOCIAL POSITION RECOGNIZED IN “HOW TO BE SINGLE” MOVIE (2016) BY CHRISTIAN DITTER: AS A FEMINISM STUDY | ENDANG YULIANI RAHAYU,S.S,M.pd | 2018 |
28 | SKR.III.05.01.0609 | 14.-3.52.0013 | NADIA PROBOSINI | POLITENESS STRATEGIES EMPLOYED BY THE MAIN CHARACTERS OF LAURENT WEISBERGER’S MOVIE :’THE DEVIL YEARS PRADA’ | Dr. KATHARINA RUSPITA,M.pd | 2018 |
29 | SKR.III.05.01.0610 | 15.03.52.0056 | OKTAMAL BAYU NUGROHO | AN ANALYSIS OF POSITIVE AND NEGATIVE POLITENESS COMMITED BY MAIN CHARACTERS ON IN HER SHOES MOVIE | Dr.SUGENG PURWANTO,M.A | 2018 |
30 | SKR.III.05.01.0634 | 15.03.52.0060 | CHENDY RATNAWATI | THE USE OF CODE MIXING AND CODE SWITCHING IN THE FORMER PRESIDENT SUSILO BAMBANG YUDHOYONO’S SPEECH | YULISTIYANTI,S.S,M.HUM | 2018 |
31 | SKR.III.05.01.0607 | 15.03.52.0070 | ARDIAN HEIKAL PASHA | MEANING ANALYSIS INCHAPTER AL-A’LA OF TRANSLATED KORAN BY MARMADUKE PICKTHALL | Drs. LILIEK SOEPRIATMADJI,M.pd | 2018 |
32 | SKR.III.05.01.0635 | 15.03.52.0072 | WAHYU PRIYANSAH | THEME RHEME PRODUCED OF 3 HIT SONGS IN THE 7TH BON JOVI’S ALBUM ENTITLED “CRUSH” RELEASED ON JUNE 13TH, 2000. | Dr. KATHARINA RUSPITA,M.pd | 2018 |
33 | SKR.III.05.01.0620 | 15.03.52.0074 | RIZKY MONA FATRIA | INTERPERSONAL MEANING REALIZED IN THE LEAFLETS PRODUCED BY SRAGEN TOURISM DEPARTEMENT | Dr. KATHARINA RUSPITA,M.pd | 2018 |
34 | SKR.III.05.01.0614 | 15.03.62.0002 | WINDY ARUM SARI | THE USE OF CODE SWITCHING PRODUCED BY THE HOSTS OF NET TV SHOW BREAKOUT-EPISODE SIMPLE PLAN CONCERT ON SEPTEMBER 9,2016 | ENDANG YULIANI RAHAYU,S.S,M.pd | 2018 |
35 | SKR.III.05.01.0618 | 17.03.62.0003 | HEMA MALINA | THE ANTI-SOCIAL PERSONALITIES OF LUTHER AND NORA KRANK AS SOCIOLOGICAL STUDY REFLECTED IN JOHN GRISHAM’S SKIPPING CHRISTMAS | Dr.SUGENG PURWANTO,M.A | 2018 |