Skripsi merupakan suatu karya tulis ilmiah yang disusun oleh mahasiswa dan dibimbing oleh dosen pembimbing sebagai syarat mencapai gelar akademik ‘sarjana’
Dalam rangka memudahkan mahasiswa memperoleh informasi referensi yang berkaitan dengan penulisan skripsi yang yang telah dilaksanakan mahasiswa sebelumnya, katalog skripsi ini membantu mahasiswa yang akan maupun yang sedang mengerjakan skripsi mendapatkan khasanah referensi skripsi yang di butuhkan
DAFTAR JUDUL SKRIPSI
FAKULTAS BAHASA DAN ILMU BUDAYA PRODI S1 SASTRA INGGRIS
TAHUN 20219
| NO | NO. SKR | NIM | NAMA | JUDUL | PEMBIMBING | TAHUN |
| 1 | SKR.III.05.01.0669 | 13.03.52.0019 | YUNITA RATRI BUDHA | EGO DEFENSE MECHANISM REFLECTED IN BENJAMIN CARON’S SHERLOCK HOLMES BBC MOVIE: THE FINAL PROBLEM | Yulistiyanti, S.S., M. Hum., | 2019 |
| 2 | SKR.III.05.01.0637 | 14.03.52.0039 | TRI WIBOWO WICAKSONO | AN ANALYSIS OF PRONUNCIATION ERRORS (CASE OF VOWELS) MADE BY THE SEVENTH SEMESTER STUDENTS OF ENGLISH LITERATURE OF IN THE ACADEMIC YEAR 2017/2018 UNISBANK | Dra. Wienny Ardriyati, M.Pd. | 2019 |
| 3 | SKR.III.05.01.0645 | 15.03.52.0001 | Ira Rahmawati | The Turns Taken by the Participants in ABC Channel Q & A Program Broadcast on Australian Farmers of August 6th 2018 | Liliek Soepriatmadji, Drs., M.Pd | 2019 |
| 4 | SKR.III.05.01.0668 | 15.03.52.0002 | WAHYU PUTRI HANDAYANI | FEMALE STEREOTYPE AND THE IDEAL WOMEN IN A SHORT STORY „CINDERELLA‟ BY GRIMM BROTHERS: AS A FEMINISM STUDY | Dr. Agnes Widiyaningrum, S.E, S.Pd, M.Pd | 2019 |
| 5 | SKR.III.05.01.0647 | 15.03.52.0004 | Amelia Catherina | OPPRESSION ON WOMEN REFLECTED IN KATE CHOPIN’S “THE AWAKENING” : AS A FEMINIST STUDY | Yulistiyanti, S.S, M.Hum, | 2019 |
| 6 | SKR.III.05.01.0657 | 15.03.52.0005. | Arinda Rahmayanti.H. | Gender Discrimination Reflected In Zootopia Movie As A Feminism Study | Dr. Agnes Widyaningrum,SE,S.Pd, M.Pd | 2019 |
| 7 | SKR.III.05.01.0650 | 15.03.52.0007 | Sekar Paramesthi | SYMBOL IN EDGAR ALLAN POE’S THE BLACK CAT AS AN ARCHETYPE STUDY | Endang Yuliani Rahayu, S. S, M.Pd | 2019 |
| 8 | SKR.III.05.01.0664 | 15.03.52.0011 | RUNTI WIRASTUTY | SPEECH ACTS AND SPEECH FUNTIONS PRODUCED IN THE EMAIL EXCHANGES IN ASTON HOTEL SEMARANG IN SEPTEMBER 2018 | Dr. Sugeng Purwanto, MA | 2019 |
| 9 | SKR.III.05.01.0660 | 15.03.52.0012 | Setia Dian Lestari | INTERLANGUAGE UTTERED BY THE EMPLOYEES OF CHANTI HOTEL SEMARANG | Katharina Ruspita, Dr. Dra, M.Pd | 2019 |
| 10 | SKR.III.05.01.0648 | 15.03.52.0015 | Arum Novita Sari | Cruelty as Ego Defence Mechanism of The Main Character depicted in Maria Irene FornesThe Conduct of Life: As A Psychoanalysis Study | Yulistiyanti, S.S, M.Hum, | 2019 |
| 11 | SKR.III.05.01.0662 | 15.03.52.0016 | AHMAD ROZIK | THE CODES SWITCHED BY LANGUAGE LEARNERS IN LANGUAGE APP “SPEAKY” | Wienny Ardriyati, DRA., M.Pd., | 2019 |
| 12 | SKR.III.05.01.0642 | 15.03.52.0018 | Andhika Yoga Aldino | ILLOCUTIONARY ACTS FOUND IN ―ANTHONY JOSHUA VS JOSEPH PARKER‖ FINAL PRESS CONFERENCE BROADCAST ON SKY SPORT IN MARCH 2018. | Drs. Liliek Soepriatmadji, M.Pd, | 2019 |
| 13 | SKR.III.05.01.0661 | 15.03.52.0022 | ANNISA PRAMUDITA .D. | MATERNAL SENSITIVITY AND ATTACHMENT INFLUENCE IN THE ESTABLISHMENT OF CHILD’S BEHAVIOUR IN I STAND HERE IRONING BY TILLIE OLSEN | Dr. Agnes Widyaningrum, S.E., S.Pd., M.Pd | 2019 |
| 14 | SKR.III.05.01.0649 | 15.03.52.0023 | AGHNIYA AZMY | CHILD PHANTASY AS APPLIED BY RILEY ANDERSEN IN INSIDE OUT MOVIE (2015) | Endang Yuliani Rahayu, S. S, M.Pd | 2019 |
| 15 | SKR.III.05.01.0651 | 15.03.52.0025 | Wahyu Ida Nuraeni | A PSYCHOANALYSIS OF THE CHANGE OF PERSONALITY OF THE MAIN CHARACTER IN EDGAR ALLAN POE’S THE BLACK CAT | Dr. Agnes Widyaningrum, SE., S.Pd., M.Pd. | 2019 |
| 16 | SKR.III.05.01.0641 | 15.03.52.0026 | Wastiah | THE COMMUNICATION STRATEGIES USED BY JOKO WIDODO IN APEC CEO SUMMIT SPEECH IN 2014” | Dr. Sugeng Purwanto, MA | 2019 |
| 17 | SKR.III.05.01.0646 | 15.03.52.0027 | UMI PRATIWI | DECONSTRUCTING THE CONCEPT OF AESTHETIC AND MORALITY IN OSCAR WILDE’S THE PICTURE OF DORIAN GRAY | Yulistiyanti, S.S, M.Hum. | 2019 |
| 18 | SKR.III.05.01.0643 | 15.03.52.0028 | RISTYORINI | THE POLITENESS STRATEGIES EMPLOYED BY THE MAIN CHARACTERS OF “ANTONY AND CLEOPATRA” DRAMA BY WILLIAM SHAKESPEARE | Dr. DRA. Katharina Rustipa, M.Pd | 2019 |
| 19 | SKR.III.05.01.0652 | 15.03.52.0030 | Esa Norma Miftakhul Janah | “STRONG TOYS” OPPRESS “WEAK TOYS” IN LEE UNKRICH’S TOY STORY 3 (2010) : AS A MARXIST STUDY | Dr. Agnes Widyaningrum, SE., S.Pd., M.Pd. | 2019 |
| 20 | SKR.III.05.01.0658 | 15.03.52.0033 | Raditya Indra Wibowo | MEN DOMINANCE TOWARD WOMEN IN INTELLECTUALITY REFLECTED IN YELLOW WALLPAPER BY CHARLOTTE PERKIN GILMAN | Dr. Sugeng Purwanto,. MA | 2019 |
| 21 | SKR.III.05.01.0665 | 15.03.52.0034 | TITA INDAH PRAMESTI | AN ANALYSIS OF LANGUAGE STYLE USED BY THE MAIN CHARACTERS IN “THE BREAK UP MAN” SHORT MOVIE DIRECTED BY JAMES KAINE | Wienny Ardriyati, DRA., M.Pd., | 2019 |
| 22 | SKR.III.05.01.0667 | 15.03.52.0036 | Zulfikar Aditya Rachman | COURAGE OF OSKARI IN BIG GAME AS A READER RESPONSE CRITICISM BY JALMARI HELANDER | Yulistyanti, S.S, S.Hum | 2019 |
| 23 | SKR.III.05.01.0663 | 15.03.52.0041 | Krismiati | “THE CODES SWITCHED IN A CASUAL CONVERSATION SET BY ENGLISH STUDENTS AND A GERMAN” | Dr. Katharina Rustipa,M.PD | 2019 |
| 24 | SKR.III.05.01.0666 | 15.03.52.0045 | Esti Nur Hayati | THE CHARACTER REFLECTED IN RON CLEMENTS, JOHN MUSKER’S MOANA (2016) FILM AS A STRUCTURALISM STUDY | Wienny Ardriyati, DRA., M.Pd., | 2019 |
| 25 | SKR.III.05.01.0653 | 15.03.52.0047 | YULIA NISA FADHILA | EXPLOITATION REFLECTED IN NEIL BURGER’S DIVERGENT (2014) : AS A MARXIST STUDY | Wienny Ardriyati, DRA., M.Pd., | 2019 |
| 26 | SKR.III.05.01.0639 | 15.03.52.0050 | Febriani Wulansari | ERROR ANALYSIS OF THE CONCLUSIONS OF STUDENTS‟ FINAL PROJECTS | Drs. Liliek Soepriatmadji, M.Pd. | 2019 |
| 27 | SKR.III.05.01.0656 | 15.03.52.0054 | RIZKI ADINDA DESIANA | OPPRESSION ACTIVITIES REFLECTED IN JOHN LASSETER’S “ A BUG’S LIFE” MOVIE (1998): A MARXIST STUDY | Teguh Kasprabowo, S.Pd., M.Pd. | 2019 |
| 28 | SKR.III.05.01.0655 | 15.03.52.0055 | LISA ARYANA | WOMEN OBSESSION PORTRAYED IN RACHEL LEE GOLDENBERG GRIMM’S SNOW WHITE (2012) : AS PSYCHOANALYSIS STUDY | Yulistiyanti, S.S, M.Hum, | 2019 |
| 29 | SKR.III.05.01.0654 | 15.03.52.0061 | NUZUL FATIHATUN HAFFIZAH | OPPRESSION ON THE WORK PLACE AS REFLECTED IN CASEY ALEXANDER, ZEUS CERVAS AND DEREK IVERSEN’S SPONGEBOB SQUAREPANTS KRABY KRONICLE :A MARXISM STUDY | Wienny Ardriyati, DRA., M.Pd., | 2019 |
| 30 | SKR.III.05.01.0659 | 15.03.52.0064 | GITA CAHYA YUNITA | CONSUMERISM PORTRAYED IN P.J. HOGAN’S CONFESSION OF A SHOPAHOLIC’S MOVIE SCRIPT (2009) : A READER – RESPONSE STUDY | Teguh Kasprabowo, S.Pd.,M.Pd | 2019 |
| 31 | SKR.III.05.01.0640 | 15.03.52.0067 | Leo Ronaldo Ilman Budi Wicaksono | SPEECH ACTS PRODUCED BY THE ACTORS IN “IT‘S YOU”‖ A SHORT MUSICAL DRAMA PERFORMED BY STUDENTS OF FBIB UNISBANK | Dr. Sugeng Purwanto, MA | 2019 |
| 32 | SKR.III.05.01.0636 | 16.03.62.0001 | ATIK NURWIJAYANTI | FEMALE SOCIAL CONSTRUCT IN JANE AUSTEN’S NORTHANGER ABBEY | Dr. Agnes Widyaningrum, SE, S.Pd, M.Pd., | 2019 |
| 33 | SKR.III.05.01.0638 | 16.03.62.0002 | DWITYA YUDHI PAMUNGKAS | AMERICAN WORK ETHIC REFLECTED IN ROBERT ZEMMECKIS’S FORREST GUMP MOVIE | Endang Yuliani Rahayu, M.Pd., | 2019 |
| 34 | SKR.III.05.01.0644 | 17.03.62.0004 | Emi Luvianasari | ENGLISH DIALECTS SPOKEN IN TED CONFERENCE ISSUED IN YOUTUBE CHANNEL IN OCTOBER 2018 | Drs. LiliekSoepriatmadji, M.Pd. | 2019 |