Skripsi merupakan suatu karya tulis ilmiah yang disusun oleh mahasiswa dan dibimbing oleh dosen pembimbing sebagai syarat mencapai gelar akademik ‘sarjana’
Dalam rangka memudahkan mahasiswa memperoleh informasi referensi yang berkaitan dengan penulisan skripsi yang yang telah dilaksanakan mahasiswa sebelumnyaa, katalog skripsi ini membantu mahasiswa yang akan maupun yang sedang mengerjakan skripsi mendapatkan khasanah referensi skripsi yang di butuhkan
DAFTAR JUDUL SKRIPSI
FAKULTAS BAHASA DAN ILMU BUDAYA PRODI S1 SASTRA INGGRIS
TAHUN 2020
| NO | NO. SKR | NIM | NAMA | JUDUL | PEMBIMBING | TAHUN |
| 50 | SKR.III.05.01.0724 | 13.03.52.0001 | RIFQI AHMAD SATRIA | UNCOVERING NEEDS AND ACTIONS OF MODERN WOMAN SHOWN BY THE MAIN CHARACTER IN “WEDDING DATES” MOVIE: A PSYCHOANALYTIC STUDY | Dr. Agnes Widyaningrum, SE, S.Pd, M.Pd. | 2020 |
| 2 | SKR.III.05.01.0677 | 14.03.52.0004 | Mawar Dewanti Wandansari | ARCHETYPE ANALYSIS OF THE MAIN CHARACTERS IN O. HENRY’S SHORT STORY THE GIFT OF THE MAGI (1905 | Yulistiyanti, S.S, M.Hum, | 2020 |
| 3 | SKR.III.05.01.0671 | 14.03.52.0012 | R.BRYAN CANDRA.W | TRIANGULAR LOVE A CONFLICT REFLECTED IN STEPHANIE MAYER’S NEW MOON | YULISTIYANTI, S.S., M.Hum. | 2020 |
| 4 | SKR.III.05.01.0678 | 14.03.52.0029 | UNUNG ERVINA | AN ANALYSIS OF MORAL VALUE IN WONDER MOVIE | Teguh Kasprabowo, S.Pd., M.Pd. | 2020 |
| 5 | SKR.III.05.01.0672 | 15.03.52.0003 | DESTHA PRATAMA PUTRA | CHARACTER BELIEF AND BEHAVIOUR POTRAYED IN M.NIGHT SHYMALAN’S DEVIL (2010) AS A PSYCHOANALYSIS STUDY | ENDANG YULIANI RAHAYU, S,S. M,PD | 2020 |
| 6 | SKR.III.05.01.0695 | 15.03.52.0017 | SHELLA KARTIKA | OPPRESSION TOWARDS FEMALE CHARACTERS IN ANNE HART’S THE FRIDAY EVERYTHING CHANGED | Yulistiyanti, S.S, M.Hum | 2020 |
| 7 | SKR.III.05.01.0673 | 15.03.52.0019 | MYTA KUSUMAWARDHANI KARYATIN | WOMEN INDEPENDENCE IN JANE AUSTEN’S SENSE AND SENSIBILITY AS A FEMINISM STUDY | ENDANG YULIANI RAHAYU, S,S. M,PD | 2020 |
| 8 | SKR.III.05.01.0670 | 15.03.52.0031 | NUNGKI PAMUNGKAS | THE CIRCUMLOCUTION FOR EFFECTIVE ENGLISH COMMUNICATIONS IN THE LEARNERS’S DAILY INTERACTIONS | Dr. SUGENG PURWANTO, MA | 2020 |
| 9 | SKR.III.05.01.0680 | 15.03.52.0035 | YOGI ARIO SETIAWAN | MAN DOMINATION AND DOMESTIC VIOLENCE DESCRIBED IN SWEAT BY ZORA NEALE HURSTON | Dr. Agnes Widyaningrum, SE, S.Pd, M.Pd | 2020 |
| 10 | SKR.III.05.01.0676 | 15.03.52.0058 | Alpian Bagus Pratama | Interpersonal Meaning and Appraisal System Realized in the online Jakarta Post Editorial Concerning Indonesia Presidential Election Issued on March 12th, 2018 “Voters Need More Candidates” | Dr. Katharina Rustipa M.Pd. | 2020 |
| 11 | SKR.III.05.01.0674 | 15.03.52.0068 | OKY IRAWAN SYAHPUTRA | THE HERO’S JOURNEY IN MATTHEW VAUGHN’S MOVIE: KICK-ASS | Teguh Kasprabowo, S.Pd., M.Pd. | 2020 |
| 12 | SKR.III.05.01.0675 | 15.03.52.0069 | Agus Hadi Puspito | EGO DEFENSE MECHANISM OF THE MAIN CHARACTER IN “FIGHT CLUB ” NOVEL (1996) : A PSYCHOANALYTIC STUDY | Dr. Agnes Widyaningrum, SE, S.Pd, M.Pd | 2020 |
| 13 | SKR.III.05.01.0686 | 15.03.52.0071 | NITYA LAKSMIWATI | PRESTIGE OF A FEMALE CHARACTER BY GUY DE MAUPASSANT IN THE NECKLACE | Wienny Ardriyati, DRA, M.Pd | 2020 |
| 14 | SKR.III.05.01.0684 | 16.03.52.0001 | NURUL KHOIRUNISA | Ego Defense Mechanism of The Main Female Characters in Maleficent Movie | Endang Yuliani Rahayu, SS, M.Pd | 2020 |
| 15 | SKR.III.05.01.0696 | 16.03.52.0002 | MEILANI PUJIASTUTI | REPRESENTATION OF MARXISM IN THE HUNGER GAMES FILM THE BIG GAP AND SOCIAL STRUGGLE | Agnes Widyaningrum, S.E, S.Pd, M.Pd | 2020 |
| 16 | SKR.III.05.01.0700 | 16.03.52.0005 | LUTHFIANA ZULFA | Language Variations Realized in Students’ Casual Exchange | Drs. Liliek Soepriatmadji, M.Pd | 2020 |
| 17 | SKR.III.05.01.0681 | 16.03.52.0008 | KEVIN SATRIA SAHIDA | APPRAISAL SYSTEM REFLECTED IN BO SEO’S ARGUMENTS IN OPEN GRAND FINAL OF THE WORLD UNIVERSITY DEBATING CHAMPIONSHIP 2016 | Drs. Liliek Soepriatmadji, M.Pd. | 2020 |
| 18 | SKR.III.05.01.0701 | 16.03.52.0009 | SIGIT UNTORO | MISPRONUNCIATION OF ENGLISH FRICATIVES AND AFFRICATES PRODUCED BY ENGLISH STUDENTS OF STIKUBANK UNIVERSITY | Dr. Katharina Rustipa, M.Pd. | 2020 |
| 19 | SKR.III.05.01.0714 | 16.03.52.0010 | WULIDHA MAHFUROH ANDRIANA | ANXIETY AND DEFENSE MECHANISM OF THE MAIN CHARACTER IN “THE BLACK CAT” SHORT STORY | Teguh Kasprabowo, S.Pd, M.Pd. | 2020 |
| 20 | SKR.III.05.01.0682 | 16.03.52.0011 | OLIVIA CRISTINA FAJRIN | LOVE TO DEATH ROMEO TO JULIET IN BAZ LUHRMANN’S ROMEO AND JULIET MOVIE SCRIPT: A PSYCHO ANALYSIS STUDY | Dr. AGNES WIDYANINGRUM, SE, S.Pd, M.Pd | 2020 |
| 21 | SKR.III.05.01.0691 | 16.03.52.0014 | SITI NURHAWA | GENDER INEQUALITY IN LEADERSHIP REFLECTED IN THE MAIN FEMALE CHARACTER OF NIKI CARO’S WHALE RIDER FILM SCRIPT | Wienny Ardriyati, Dra, M.Pd | 2020 |
| 22 | SKR.III.05.01.0683 | 16.03.52.0015 | AYU WANDARI SABAHTINI | THE PROHIBITION OF WOMEN TO WORK IN MICHAEL PETRONI’S MOVIE THE BOOK THIEF | Dr. AGNES WIDYANINGRUM, SE, S.Pd, M.Pd | 2020 |
| 23 | SKR.III.05.01.0720 | 16.03.52.0016 | PANCA MEGA BINTANG | DISPLACEMENT ANALYSIS BASED ON SIGMUND FREUD THEORY IN DON’T BREATHE MOVIE | Yulistiyanti, S.S., M.Hum. | 2020 |
| 24 | SKR.III.05.01.0707 | 16.03.52.0018 | Fitriyani | GENDER INEQUALITY ANALYSIS OF THE MAIN FEMALE CHARACTER IN MOM’S NIGHT OUT MOVIE (2014) : A FEMINISM STUDY | Teguh Kasprabowo, S.Pd, M.Pd | 2020 |
| 25 | SKR.III.05.01.0693 | 16.03.52.0020 | YASKI RAMADHANTY SIREGAR | THE INTERNET LANGUAGE USES FOUND IN TAYLOR SWIFT AND HARRY STYLES’ TWEETS: A GENDER PERSPECTIVE STUDY | Dr. Katharina Rustipa, M.Pd | 2020 |
| 26 | SKR.III.05.01.0694 | 16.03.52.0021 | Sherly Kusuma Halim | An Analysis of The Speech Acts Used by The Main Characters in Cinderella Movie | Dr. Katharina Rustipa, M.Pd | 2020 |
| 27 | SKR.III.05.01.0704 | 16.03.52.0023 | Anisa Fitri Astriani | OPPRESSION AND INJUSTICE TOWARD WOMEN IN THE 18TH CENTURY IN SAUL DIBB’S THE DUCHESS (MOVIE): AS A FEMINISM STUDY | Yulistiyanti, S.S, M.Hum | 2020 |
| 28 | SKR.III.05.01.0706 | 16.03.52.0025 | Anggi Prasetia Urbano De Sousa Baptista | RACIAL DISCRIMINATION IN “HIDDEN FIGURES” MOVIE (2016) | Teguh Kasprabowo, S.Pd, M.Pd | 2020 |
| 29 | SKR.III.05.01.0710 | 16.03.52.0026 | Risqi Ugi Ramadhan | Vocatives used by the Characters in Peter Pan Name’s J.M. Barrie Novel | Drs. Liliek Soepriatmadji, M.Pd. | 2020 |
| 30 | SKR.III.05.01.0687 | 16.03.52.0029 | Wulansari Dwi Sepwinta | THE DEPRESSION LEADING TO SUICIDE OF THE MAIN CHARACTER WILLIAM TRAYNOR IN “ME BEFORE YOU” NOVEL BY JOJO MOYES | Wienny Ardriyati, DRA, M.Pd | 2020 |
| 31 | SKR.III.05.01.0685 | 16.03.52.0032 | ANDINTYA FARADILLA | THE EFFORTS OF FEMALE CHARACTERS FIGHT AGAINST GENDER DISCRIMINATION REVEALED IN HIDDEN FIGURES MOVIE | Yulistiyanti, S.S, M.Hum | 2020 |
| 32 | SKR.III.05.01.0723 | 16.03.52.0036 | Tiara Varradina Setiadi | Oppression Towards Offred as Handmaid in The Handmaid’s Tale (1985): A Feminist Study | Dr. Agnes Widiyaningrum, S.E, S.Pd, M.Pd | 2020 |
| 33 | SKR.III.05.01.0705 | 16.03.52.0037 | Ika Giovani | Institutional Racism in Danny Strong’s ‘The Butler (2013) Movie | Yulistiyanti, S.S, M.Hum | 2020 |
| 34 | SKR.III.05.01.0698 | 16.03.52.0038 | MOCHTAR RIZQI R | Racial Discrimination Toward African-American As Seen In Jordan Peele’s Get Out (2017): As Sociological Approach | Dr. Sugeng Purwanto, M.A | 2020 |
| 35 | SKR.III.05.01.0712 | 16.03.52.0040 | Ivan Setiawan | The Class Struggle in Shirley Jackson’s Short Story “ The Lottery” A Marxism Analysis Approach | Dra.Wienny Ardriyati, M.Pd. | 2020 |
| 36 | SKR.III.05.01.0679 | 16.03.52.0041 | Pandu Syeh Maulana Palupi | FOCALIZATION IN SHEVA’S LITTLE GREY | Yulistiyanti, S.S, M.Hum, | 2020 |
| 37 | SKR.III.05.01.0702 | 16.03.52.0042 | Hanan Faizah Ulfah | FIGURATIVE LANGUAGE REFLECTED IN KATY PERRY’S FIREWORK LYRIC | Drs. LILIEK SOEPRIATMADJI, M.Pd. | 2020 |
| 38 | SKR.III.05.01.0699 | 16.03.52.0043 | DESNINDA DARA ARIFA | FILLERS PRODUCED BY ENGLISH STUDENTS OF STIKUBANK UNIVERSITY | Drs. Liliek Soepriatmadji, M.Pd | 2020 |
| 39 | SKR.III.05.01.0721 | 16.03.52.0045 | DIANI SRI HASTUTI | THE DECONSTRUCTION OF HERO AND HEROINE’S HIDDEN CHARACTER IN “BEAUTY AND THE BEAST” MOVIE SCRIPT | Yulistiyanti, S.S, M.Hum | 2020 |
| 40 | SKR.III.05.01.0722 | 16.03.52.0047 | Rebekka Try Atmasari | EXUAL MENTAL DISORDER IN NOVEL FIFTY SHADES TRYLOGY BY E.L JAMES (NOVEL): AS A PSYCHOANALYSIS STUDY | Dr. Agnes Widiyaningrum, S.E, S.Pd, M.Pd | 2020 |
| 41 | SKR.III.05.01.0692 | 16.03.52.0048 | YULANDA RATNA PUSPITA | WOMAN SUBMISSION AND SADOMASOCHISM IN KELLY MARCEL’S FIFTY SHADES OF GREY: AS A FEMINISM STUDY | Yulistiyanti, S.S, M.Hum | 2020 |
| 42 | SKR.III.05.01.0708 | 16.03.52.0050 | VINNA OCTAVIA | FLASH CARDS’ CONTRIBUTION IN INTRODUCING ENGLISH VOCABULARY TO THE FIRST GRADERS OF SDN BRUMBUNGAN SEMARANG AND THEIR RESPONSES: A CLASSROOM ACTION RESEARCH | Drs. Liliek Soepriatmadji, M.Pd | 2020 |
| 43 | SKR.III.05.01.0717 | 16.03.52.0051 | Fitria Fransiska Febriati | MALE AND FEMALE CHRACTERISTICS IN PARTRIARCHAL SOCIETY IN THE GIRL ON THE TRAIN MOVIE (2016) : AS A FEMINIST STUDY | Wienny Ardriyati, Dra, M.Pd | 2020 |
| 44 | SKR.III.05.01.0688 | 16.03.52.0053 | DEWI ERNAWATI | AN ANALYSIS OF DAISY’S QUANDARY IN JOHN GALSWORTHY’S THE SUN : AS A PSYCHOANALYSIS STUDY | Yulistiyanti, S.S, M.Hum | 2020 |
| 45 | SKR.III.05.01.0703 | 16.03.52.0054 | DEDE MOHAMAD RIZKI | PERSONALLY MEDIATED RACISM IN THE KARATE KID MOVIE BASED ON CAMARA PHYLLIS JONES THEORY | Teguh Kasprabowo.,S.Pd., M.Pd | 2020 |
| 46 | SKR.III.05.01.0719 | 16.03.52.0055 | Muhammad Shalahudin | THE USE OF GAMBITS IN TELEPHONE CALLS AMONG STUDENTS OF ENGLISH LITERATURE DEPARTMENT IN UNISBANK SEMARANG | Dr. Katharina Rustipa, M.Pd | 2020 |
| 47 | SKR.III.05.01.0716 | 16.03.52.0056 | DEWI MASLAKHAH | Oppression Upon Solomon Nurthup Reflected in Steve McQueen’s 12 Years a Slave Movie Script as a Marxist Theory | Dr. Sugeng Purwanto, M.A | 2020 |
| 48 | SKR.III.05.01.0690 | 16.03.52.0057 | CINDY OKTAFANI KUMBORO PUTRI | CLASSIFICATION OF SOCIAL CLASSES IN WILLIAM FAULKNER’S A ROSE FOR EMILY : AS A MARXIST STUDY | Wienny Ardriyati, Dra, M.Pd | 2020 |
| 49 | SKR.III.05.01.0709 | 16.03.52.0058 | Johana Maria Vionyta Sembiring Depari | An Analysis of Black Feminist in “The Help” Movie | Agnes Widiyaningrum, S.E, S.Pd, M.Pd | 2020 |
| 50 | SKR.III.05.01.0711 | 16.03.52.0060 | Egha Bagus Jr | FOCALIZATION ANALYSIS IN “DR. SEUSS’ THE GRINCH” MOVIE | Teguh Kasprabowo, S.PD | 2020 |
| 51 | SKR.III.05.01.0718 | 16.03.52.0062 | ANNISSA AMALIA YUNIATI | EGO DEFENCE MECHANISM IN DAVID LESLIE JOHNSONS’S ORPHAN AS : A PSYCHOANALYSIS STUDY | Yulistiyanti, S.S., M.Hum. | 2020 |
| 52 | SKR.III.05.01.0713 | 16.03.52.0063 | RIQQAH RATNA PURWANTINI | EGO DEFENCE MECHANISM IN THOMAS BEZUCHA’S MONTE CARLO CHARACTERS | Dr. Sugeng Purwanto, MA | 2020 |
| 53 | SKR.III.05.01.0715 | 16.03.52.0064 | DWI FATMAWATI | THE EGO DEFENSE MECHANISM OF THE MAIN CHARACTER IN NEIL BURGER’S MOVIE SCRIPT : DIVERGENT 2014 | Dr. Sugeng Purwanto, M.A | 2020 |
| 54 | SKR.III.05.01.0697 | 16.03.52.0066 | MITRA YUNINA PUTRI | DISSOCIATIVE IDENTITY DISORDER OF THE MAIN CHARACTER IN M. NIGHT SHYAMALAN’S SPLIT MOVIE: PSYCHOANALYSIS STUDY | Endang Yuliani Rahayu, S.S., M.Pd | 2020 |
| 55 | SKR.III.05.01.0689 | 18.03.62.0002 | RINA AGUSTIN MAZID | ARCHETYPE HERO AS REFLECTED IN HARRY POTTER’S CHARACTERS IN HARRY POTTER AND THE ORDER OF THE PHOENIX | Dr. Agnes Widyaningrum, SE.,S.Pd., M.Pd. | 2020 |