Skripsi merupakan suatu karya tulis ilmiah yang disusun oleh mahasiswa dan dibimbing oleh dosen pembimbing sebagai syarat mencapai gelar akademik ‘sarjana’
Dalam rangka memudahkan mahasiswa memperoleh informasi referensi yang berkaitan dengan penulisan Skripsi yang yang telah dilaksanakan mahasiswa sebelumnya, katalog Skripsi ini membantu mahasiswa yang akan maupun yang sedang mengerjakan Skripsi mendapatkan khasanah referensi Skripsi yang di butuhkan
DAFTAR JUDUL SKRIPSI
FAKULTAS BAHASA DAN ILMU BUDAYA PRODI S1 SASTRA INGGRIS
TAHUN 2021
| NO | NO SKR | NIM | NAMA | JUDUL | PEMBIMBING | TAHUN |
| 1 | SKR.III.05.01.0726 | 17.03.62.0001 | Evander Yosua Smith | THE CIRCUS AND CIRCUS’ PERFORMERS EXISTENCE IN THE GREATEST SHOWMAN MOVIE: A MARXISM STUDY | Dr. Agnes Widyaningrum, SE, S.Pd, M.Pd | 2021 |
| 2 | SKR.III.05.01.0727 | 16.03.52.0072 | Muhammad Rizal | FOCALIZATION ANALYSIS APPLIED IN “THE PRINCESS BRIDE” MOVIE | Dr Sugeng Purwanto,MA, | 2021 |
| 3 | SKR.III.05.01.0728 | 15.03.52.0062 | Muhammad Teguh Azisvirayuda | AN ANALYSIS OF AMY DUNNES’S PSYCHOPATH PROBLEM IN GONE GIRL MOVIE VIEWED FROM PSYCHOANALYSIS THEORY BY SIGMUND FREUD | Teguh Kasprabowo S.Pd, M.Pd | 2021 |
| 4 | SKR.III.05.01.0729 | 16.03.52.0028 | Rachma Nurma Gupita | THE STUDY OF TURN TAKING IN “CINDERELLA” MOVIE 2015 | DR.,Dra. KATHARINA RUSTIPA,M.PD | 2021 |
| 5 | SKR.III.05.01.0730 | 16.03.52.0012 | Transalia Mukti Nuswantari | THE OBSTACLE OF FEMALE HEROISM IN ROBERT D.SAN SOUCI MULAN (MOVIE) AS A FEMINISM STUDY | Dr. Sugeng Purwanto, MA | 2021 |
| 6 | SKR.III.05.01.0731 | 16.03.52.0024 | Syavira Dewinta | An analysis of Women Harassments in “Mad Max: Fury Road” Movie Using Feminism Theory by Simone de Beauvoir | Teguh Kasprabowo,S.Pd., M.Pd. | 2021 |
| 7 | SKR.III.05.01.0732 | 16.03.52.0004 | Vera Putri Ramadhanty | POLITICAL DISCRIMINATION TOWARD WOMAN IN THE PRINCESS DIARIES 2 : ROYAL ENGAGEMENT MOVIE: AS A FEMINISM STUDY | Yulistiyanti, S.S, M.Hum. | 2021 |
| 8 | SKR.III.05.01.0733 | 16.03.52.0061 | MUHAMMAD ILHAM NAZILLA | DEPICTIONS OF GENDER-BASED DISCRIMINATIONS IN THE U.S. IN MIMI LEDER’S ON THE BASIS OF SEX (2018): AS A FEMINISM STUDY | Endang Yuliani Rahayu, S.S., M.Pd. | 2021 |
| 9 | SKR.III.05.01.0734 | 16.03.52.0049 | VERA ANANDA KHARISMA PUTRI | WOMAN FAITHFULNESS IN LONE SCHERFIG’S ONE DAY MOVIE (2011): AS A READER RESPONSE STUDY | Teguh Kasprabowo, S.Pd.M.Pd | 2021 |
| 10 | SKR.III.05.01.0735 | 17.03.52.0029 | Kevin Kristian Purnomo | THE CONNOTATIVE MEANINGS OF EXPRESSIONS FOUND IN SELECTED MELANCHOLIC SONG LYRICS | Dr. Katharina Rustipa, M.Pd | 2021 |
| 11 | SKR.III.05.01.0736 | 17.03.52.0044 | REZA KURNIASARI | ERROR ANALYSIS ON THE USE OF SIMPLE PAST TENSE IN RECOUNT TEXTS WRITTEN BY THE 6TH SEMESTER STUDENTS OF FBIB – UNISBANK | Dr. Katharina Rustipa, M.Pd | 2021 |
| 12 | SKR.III.05.01.0737 | 17.03.52.0070 | Cakraningrum Marhendrayani | THE OPPRESSION TOWARD MAIN CHARACTER IN SLEEPING WITH THE ENEMY MOVIE AS A FEMINISM STUDY | Dr. SUGENG PURWANTO, M.A | 2021 |
| 13 | SKR.III.05.01.0738 | 17.03.52.0045 | FIRLANDA DAYU PRAMESTI | A CRITICAL DISCOURSE ANALYSIS OF #ENDVIOLENCE CAMPAIGN IN THE SPEECH OF BTS MEMBERS AT THE 75TH UN GENERAL ASSEMBLY | Drs. Liliek Soepriatmadji, M.Pd | 2021 |
| 14 | SKR.III.05.01.0739 | 18.03.62.0001 | SUPRIYANTO | THE ANALYSIS OF SPEECH ACT IN THE STATE OF THE UNION ADDRESS SPEECH BY PRESIDENT DONALD TRUMP ON FEBRUARY 5, 20 | Drs. Liliek Soepriatmadji, M.Pd | 2021 |
| 15 | SKR.III.05.01.0740 | 17.03.52.0007 | AMALIA MARPICE ZAELORENT | JUNG’S MODEL OF THE PSYCHE IN SYLVIA PLATH’S SELECTED POEMS | Yulistiyanti, S.S., M.Hum. | 2021 |
| 16 | SKR.III.05.01.0741 | 17.03.52.0001 | WIWIK WIDIYASTUTI | RACISM TOWARD AFRICAN-AMERICANS REFLECTED IN ANGIE THOMAS’ THE HATE U GIVE | Yulistiyanti, S.S., M.Hum. | 2021 |
| 17 | SKR.III.05.01.0742 | 17.03.52.0020 | Umi Latifah | GENDER DISCRIMINATION TOWARD FEMALE CHARACTER IN THE FILM” ON THE BASIS OF SEX” BY DANIEL STIEPLEMAN | Endang Yuliani Rahayu, S.S., M.Pd | 2021 |
| 18 | SKR.III.05.01.0743 | 17.03.52.0041 | Meuthia Khoirunnisa | GENDER DISCRIMINATION OF THE MAIN CHARACTER IN JOKER MOVIE | Dr. Sugeng Purwanto, M.A | 2021 |
| 19 | SKR.III.05.01.0744 | 17.03.52.0003 | Shafrina Nurlaily | AN ANALYSIS OF SUICIDAL THOUGHTS ON LANA DEL REY’S SONG LYRICS “SUMMERTIME SADNESS” IN THE ALBUM “BORN TO DIE” | Dr. Sugeng Purwanto, MA | 2021 |
| 20 | SKR.III.05.01.0745 | 17.03.52.0050 | YASINTA AULIA NAFISA | INTERLANGUAGE OF THE EIGHTH-SEMESTER STUDENTS AT THE FACULTY OF LANGUAGE AND CULTURAL STUDIES OF STIKUBANK UNIVERSITY SEMARANG: A STUDY ON ITS SYNTAX | Dr. Katharina Rustipa, M.Pd | 2021 |
| 21 | SKR.III.05.01.0746 | 17.03.52.0010 | Kirana Rosa W | SOCIAL CONFLICT EXPERIENCED BY THE WORKING CLASS FOUND IN GUY DE MAUPASSANT THE NECKLACE AS A MARXISM STUDY | Dr. Agnes Widyaningrum, S.E., S.Pd., M.Pd. | 2021 |
| 22 | SKR.III.05.01.0747 | 17.03.52.0031 | Julinda Beni Saputri | PHYSICAL EXPLOITATION OF THE CAMBODIAN PEOPLE IN THE CAPITAL CITY REFLECTED IN A SHORT STORY “POL POT AND THE KHMER ROUGE” AS A MARXIST STUDY | Endang Yuliani Rahayu S.S, M.Pd | 2021 |
| 23 | SKR.III.05.01.0748 | 17.03.52.0023 | Risda Oktavia Putri | Discrimination In Society Towards Women In “Whale Rider” Movie | Endang Yuliani Rahayu S.S, M.Pd | 2021 |
| 24 | SKR.III.05.01.0749 | 17.03.52.0004 | Aditya Nurulhuda | A PSYCHOLOGICAL ANALYSIS OF HALLUCINATION EXPERIENCED BY THE MAIN CHARACTER IN THE SILENT HOUSE (2011) MOVIE: A LACANIAN PSYCHOANALYSIS STUDY | Dr. Sugeng Purwanto, MA | 2021 |
| 25 | SKR.III.05.01.0750 | 17.03.52.0005 | Intan Puspita Dewanti | OPPRESSIVE CULTURE TOWARD HOMOSEXUALITY REFLECTED IN HOZIER’S: “TAKE ME TO CHURCH” | Dr. Agnes Widyaningrum, SE., S.Pd., M.Pd | 2021 |
| 26 | SKR.III.05.01.0751 | 17.03.52.0047 | Adam Ardian | SOCIAL CLASS AND CLASS DISCRIMINATION IN KATHERINE MANSFIELD’S SHORT STORY “THE DOLL’S HOUSE”: A MARXIST STUDY | Endang Yuliani Rahayu, SS., M.Pd | 2021 |
| 27 | SKR.III.05.01.0752 | 17.03.52.0053 | GLADYS GABRIEL DINA | ARCHETYPAL CRITICISM REFLECTED ON ARCHETYPE MYTH AND SYMBOLS IN DAMIEN CHAZELLE’ S LA LA LAND MOVIE | Yulistiyanti, S.S., M.Hum. | 2021 |
| 28 | SKR.III.05.01.0753 | 17.03.52.0035 | WAHYU DWISETIO IMANU | TOXIC MASCULINITY REFLECTED IN BENJAMIN ALIRE SÁENZ’S ARISTOTLE AND DANTE DISCOVER THE SECRETS OF THE UNIVERSE: A QUEER AND GENDER STUDY | Yulistiyanti, S.S., M.Hum. | 2021 |
| 29 | SKR.III.05.01.0754 | 17.03.52.0057 | MICHELLINA PIERRENA REGIANNANTA | STRUCTURALISM LINGUISTICS AS NEW CRITICISM STUDY APPLIED IN MOONSUN’S “DON’T LIE TO ME” | Dr. Agnes Widyaningrum, SE., S.Pd., M.Pd., | 2021 |
| 30 | SKR.III.05.01.0755 | 17.03.52.0021 | Natalia Dian Susiani | Diversion of Thoughts about Racism in Kabir Khan Movie Entitled “Bajrangi Bhaijaan” | Endang Yuliani Rahayu, S.S, M.Pd. | 2021 |
| 31 | SKR.III.05.01.0756 | 17.03.52.0028 | SHINTA PUTRI NOVIANINGRUM | LOVE STRUGGLE IN DIFFERENT CLASSES BETWEEN JACK AND ROSE IN JAMES CAMERON’S TITANIC MOVIE | Yulistianti S.S., M.Hum. | 2021 |
| 32 | SKR.III.05.01.0757 | 17.03.52.0002 | ELGYA INDRASWARI BUDIMAN | AN ANALYSIS OF ANXIETY DISORDER IN ANDRES HEINZ’ BLACK SWAN | Teguh Kasprabowo, S.Pd., M.Pd. | 2021 |
| 33 | SKR.III.05.01.0758 | 17.03.52.0066 | YENI PUTRI UTAMININGSIH | ARCHETYPE MAIDEN AS REFLECTED IN CINDERELLA’S CHARACTER IN CHARLES PERRAULT’S CINDERELLA STORY | Dr. Agnes Widyaningrum, SE., S.Pd., M.Pd | 2021 |
| 34 | SKR.III.05.01.0759 | 17.03.52.0073 | AYUN NURUL AZIZAH | GENDER INEQUALITY PORTRAYED IN MIMI LEDER’S ON THE BASIS OF SEX MOVIE | Yulistiyanti, S.S., M.Hum. | 2021 |
| 35 | SKR.III.05.01.0760 | 17.03.52.0022 | ANGGITA RIANA DEWI | WOMEN EMPOWERMENT IN NETFLIX MINI-SERIES UNBELIEVABLE: A READER RESPONSE STUDY | Yulistiyanti, S.S., M.Hum. | 2021 |
| 36 | SKR.III.05.01.0761 | 17.03.52.0059 | Diah Ayu Wulandari | SIMON’S NEGOTIATION ON HETERONORMATIVITY IN BECKY ALBERTALLI’S LOVE, SIMON: A QUEER STUDY | Yulistiyanti, S.S, M.Hum. | 2021 |
| 37 | SKR.III.05.01.0762 | 17.03.52.0024 | NUR MAYA DEWI | SOCIAL CLASS AND CONFLICT REFLECTED IN NEIL BURGER’S DIVERGENT (MOVIE): AS A MARXIST STUDY | Dr. Agnes Widyaningrum, SE., S.Pd., M.Pd | 2021 |
| 38 | SKR.III.05.01.0763 | 17.03.52.0034 | WILHELMINA ERYUNI LEBA | LABOR EXPLOITATION AND REBELLION: KARL MARX THEORY IN ELYSIUM MOVIE BY NEILL BLOMKAMP | Agnes Widyaningrum, SE., S.Pd., M.Pd | 2021 |
| 39 | SKR.III.05.01.0764 | 17.03.52.0014 | RINI APRILIANI | WOMEN OPPRESSION AS FEMINISM STUDY REFLECTED IN A PAIR OF SILK STOCKINGS | Yulistiyanti, S.S., M.Hum. | 2021 |
| 40 | SKR.III.05.01.0765 | 17.03.52.0030 | Fitri Wulandani | THE PORTRAIT OF HEDONISM REFLECTED IN “THE GREAT GATSBY” (2013) MOVIE | Wienny Ardriyati, DRA, M.Pd | 2021 |
| 41 | SKR.III.05.01.0766 | 17.03.52.0011 | Ayu Paramita Devy | AN ANALYSIS OF THREE DIMENSIONAL OF HUMAN CHARACTER OF THE MAIN CHARACTERS IN THE NOVEL “I WANT TO YOUR PANCREAS” BY YORU SUMINOEAT | Teguh Kasprabowo, S. Pd., M. Pd. | 2021 |
| 42 | SKR.III.05.01.0767 | 17.03.52.0074 | RINA PUJI LESTARI | ANALYSIS OF FEMINISM IN THE ‘ALADDIN REMAKE LIVE-ACTION 2019’ FILM IN SYSTEMIC-FUNCTIONAL LINGUISTIC PERSPECTIVE | Drs. Liliek Soepriatmadji, M.Pd | 2021 |